I have read a lot of Jane Austen fanfic, probably too much. Some of it is really terrible, truly just unreadable, and some of it is extremely good. As an English major, we learned about a method of literary criticism called Reader Response:

Reader-response criticism is a school of literary theory that focuses on the reader (or “audience”) and their experience of a literary work, in contrast to other schools and theories that focus attention primarily on the author or the content and form of the work.

https://courses.lumenlearning.com/suny-introliterature/chapter/reader-response-criticism-suggested-replacement/

Most other forms of literary criticism that we discussed were focused on either the author’s intent or the cultural milieu in which the book was written, and how those norms altered the literary work (e.g. feminist or marxist criticism). But Reader-response criticism was right up my alley! Whatever your response to the literature was, it was valid. You could write your paper on anything that struck your fancy. How freeing!

With the rise of the internet, fanfic became its own literary form; people could post and discuss their stories online. Authors who wanted to delve deeper into a beloved text could simply create new plotlines using familiar characters, cross the characters and plots of multiple books, or insert new characters into an existing narrative to see where it took things. Published fanfic also found a new distribution channel with Kindle Unlimited (readers have a monthly subscription to borrow, read & return an unlimited quantity of titles without purchasing them individually.) It became easy to consume one after another. If it was terrible, the options were to continue to hate-read it (its own guilty pleasure, believe me) or just return it and start with something else.

There are many different types of fanfic. Here’s ChatGPT’s take:

  1. Canon Compliant or Canonical Fanfic: Stories that adhere to the established canon (official narrative) of the original work. These fanfics often explore events or perspectives that might have occurred off-screen or between established plot points. (These are the most conservative stories in the genre, but they can also be written well, provided they avoid the big sin of just copying out large patches of text from the original).
  2. Alternate Universe (AU) Fanfic: Stories that diverge from the canon and create a new universe with altered settings, character backgrounds, or events. AUs can range from slight changes to complete overhauls of the original world. (This is incredibly common in comics, another great example of this type of writing).
  3. Crossover Fanfic: Stories that combine characters, settings, or elements from two or more different works of fiction. Crossovers can be within the same genre or across genres, bringing together characters from different fictional universes. (This includes things like Wentworth from Persuasion meets Lizzy Bennett instead of her meeting Darcy).
  4. Fix-it Fanfic: Stories that seek to “fix” perceived problems or unsatisfactory elements in the original work. Writers may alter the plot, character outcomes, or relationships to create a more satisfying narrative. (Super common, and sometimes satisfying, e.g. a secondary character gets a better outcome or undergoes a personal change that improves them, turning them into a protagonist).
  5. Ship or Romance Fanfic: Stories that focus on romantic relationships between characters, often exploring pairings that may not have been explored or developed in the original work. “Shipping” refers to supporting a particular romantic pairing. (There is also a genre of Slash fanfic in which the pairings are queer, and these often expand on subtext that can be very interesting; a classic example is Star Trek fanfic with Spock/Kirk pairings).
  6. Hurt/Comfort Fanfic: Stories that revolve around characters facing challenges, adversity, or emotional distress, with an emphasis on the comforting and supportive actions of other characters.
  7. Angst Fanfic: Stories that emphasize emotional pain, conflict, and turmoil. Angst fanfics often delve into darker or more intense emotions, exploring the struggles and challenges faced by characters. (There are so many of these out there in which the author primarily wants to torture Darcy to the point of madness, and ngl, these are bangers).
  8. Crack Fanfic: Humorous and often absurd stories that intentionally deviate from the serious tone of the original work. These fanfics might involve bizarre scenarios, exaggerated character traits, or improbable plotlines. (Consider Sea Monsters & Sensibility or Pride & Prejudice & Zombies).
  9. Fluff Fanfic: Light-hearted and feel-good stories that focus on positive and heartwarming moments between characters. Fluff fanfics often emphasize romance, friendship, or familial bonds. (These are mostly not my jam, but they are popular).
  10. Epic or Long-Form Fanfic: Extended and comprehensive stories that go beyond the scope of a typical short fanfic. These can be novel-length works that explore intricate plots, character development, and world-building. (These tend to be my favorites).
  11. Drabble or One-Shot Fanfic: Very short stories, often consisting of a single scene or moment. Drabbles are typically 100 words, while one-shots can vary in length but are generally shorter than full-length stories. (Definitely not for me, but again, very popular in online forums.)
  12. Meta Fanfic: Stories that explore or comment on the nature of fanfiction, fandom culture, or the relationship between creators and fans. Meta fanfics may blur the lines between fiction and commentary. (One story I read was about a woman asked to complete writing a newly found unfinished Austen manuscript, and her own personal storyline turned into a non-angsty version of Pride & Prejudice.)

These categories are not mutually exclusive, and many fanfics can fall into multiple types or genres depending on their focus and themes. Fanfiction provides a creative outlet for fans to explore, expand upon, and reimagine the worlds and characters they love.

ChatGPT, with a few of my own comments added

Canon vs. Fanon

Canon refers to events, characters, and motivations as portrayed in the original work, without deviation. Fanon, however, is what is often mistaken for canon in fanfic communities. These are details that become common in fanfic through repetition to the point that people forget what the original work even said (or didn’t say). For example, an unnamed character is given a name that is then used over and over by other authors, even though that name doesn’t appear in the original text. It’s a byproduct of engaging in fanfic. We forget what the text even said eventually.

One of the things I like about fanfic is that it reveals so much about the author. It’s not just about the exploration of the plot or characters of a beloved book. It’s about understanding how another person (a different reader) responded to that text, and what they brought to the experience of reading it. There are some authors whose takes I really like, and there are some I just can’t stand. For example, when they completely alter a main character’s motives in a way that reveals their assumptions, but is just not in the original text, I want to throw the book. I don’t do it because it’s on my phone, but the feeling is real.

Which brings us to the Book of Mormon. The cover of the book says it is Another Testament of Jesus Christ, which puts it into the category of supporting or alternative canon to the Bible, as literature. It’s a similar narrative, but in a different geography, and with only a few crossover characters, chiefly Jesus Christ, but also (anachronistically) Isaiah. This gives the book a lot of freedom. Generally speaking, the restoration fits into the “Fix It” category of fanfic, attempting to resolve issues created through nearly two-thousand years of apostasy-driven erosion of the original church.

Pseudepigrapha is actually not at all uncommon, and it’s very similar to fanfic. Pseudepigraphical writings are new literary works written using Biblical characters, settings, or themes (ascribing the writing to a famous character inaccurately). The purpose of these works was to explore untold stories that filled in gaps in scripture or to creatively reinterpret or expand on Biblical stories, themes or doctrines. Specific communities of believers found different pseudepigrapha useful and used them in their communities. Other groups disregarded those writings, considering them heretical.

When I was about 9 years old, we once attended a non-LDS church in my parents’ hometown (they are both converts from different Protestant sects, and I’m not sure what sect this was), and I was put in the Sunday School with other kids. The teacher asked a question, and it was something the Book of Mormon had a clear answer to, so I raised my hand and answered the question. The teacher was bewildered and asked where I got that idea, and I said it was in the Book of Mormon (like “duh!”). The teacher didn’t know what the Book of Mormon was. When I told my parents about this later, they were either amused or embarrassed, maybe both. This is similar to the above description of pseudepigrapha; one community accepts it as authentic or at least as having content that is canonically consistent, but that acceptance is not universal.

In some of the Austen fanfic I’ve read, I can actually tell what other literary sources they have read because they have used quotes or themes that are almost word-for-word lifted from those other novels (quite a few of them appear to be well-versed in E.M. Forster’s novels). Likewise, some Book of Mormon stories appear to be retellings of Bible stories: Alma’s conversion is strikingly similar to Saul’s, Jared’s daughter who seductively dances and demands the head of is Omer is like Salome who seductively dances and demands the head of John the Baptist. The Book of Mormon also includes some elements of the 19th century religious movements: when King Benjamin speaks, his followers all speak in unison, just as they might have at a 19th century religious revival.

Additionally, several of the political intrigues in the book are parallel to 19th century American political questions: masonic brotherhoods (secret combinations), white Christian nationalism (the book supports the idea that white settlers would be the saviors to the natives), and issues of a burgeoning highly-individualist democracy (the freemen vs. the kingmen, among others). These explorations make the book more salient to a contemporary audience by expanding on themes that the Bible doesn’t really resolve. After all, fanfic is basically an exercise in “likening the [text] unto ourselves,” or at least unto the author’s perspective of the original text.

  • Do you see the Book of Mormon as a verson of pseudepigrapha or fanfic?
  • Does reading the Book of Mormon as fanfic change how you view it or expand your understanding of it?
  • Do you think church members would find this viewpoint heretical or interesting?

Discuss.