A couple weeks ago, I saw the excellent film Conclave, based on the novel by Robert Harris. Ralph Fiennes plays Cardinal Lawrence, an anglicized version of the Italian Cardinal Lomeli in the novel. The Pope, a close friend of his, has died, and he is the Dean of the College of Cardinals, responsible for overseeing the Conclave, the process in which all current Cardinals meet at the Vatican and are sequestered while they vote for the new Pope from among their ranks. Lawrence has recently tried to offer his resignation due to his doubts in the Catholic Church (but not doubt in God), but his resignation was declined.

Lawrence is highly skilled at managing the political maneuvering among the Cardinals. There’s talk that his understated performance will result in an Oscar. Here are the other major characters:

  • Cardinal Tremblay: A charismatic and reformist Canadian Cardinal played by John Lithgow. He expects to win the papacy, and to move forward with his modern views for the Church, but there is a whiff of buried scandal, and some unsatisfactory answers to questions about a last minute meeting he had with the Pope.
  • Cardinal Bellini: In the book, he’s a traditionally conservative Italian Cardinal, but in the movie, he’s a progressive American Cardinal who doubts Tremblay is the right man for the job (also aware of some scandal), and has the ambition to replace him as the progressive alternative. He is played by Stanley Tucci. As you can imagine, both Lithgow and Tucci are barely held back by the director from chewing every scene. It kind of works.
  • Cardinal Adeyemi: A Nigerian Cardinal with a lot of popularity and ambition. The progressives are worried about his anti-LGBTQ stances, including supporting capital punishment for homosexuality in African countries.
  • Cardinal Tedesco: An Italian Cardinal who is gregarious, bombastic and somewhat racist, using warmongering rhetoric against the “enemies” of Christianity.
  • Cardinal Benitez: A Mexican Cardinal nobody has ever met before who was secretly made Cardinal in Afghanistan by the now dead Pope. His unique perspective challenges the norms of the College of Cardinals.

The film has a Twelve Angry Men feel to it, as the men have private sidebar discussions, eat meals in cliques, and argue about politics and religion, then vote, again and again, until a successor is chosen. Some of the themes that emerge include:

  • Power and Ambition. Even those who say they don’t want to be Pope are tempted when the votes start going their way.
  • Faith and Doubt. We mainly see the proceedings through Lawrence’s eyes, and he is very capable of seeing through his fellow Cardinals and uncovering the skeletons in their closets, although he is unwilling to embarrass anyone publicly or put his own thumb on the scale in the voting process. He doubts because he sees more than others do, but he is passive. He is personally progressive to a degree, but he is also unwilling to oppose the traditionalists.
  • Tradition vs. Modernity. While all the Cardinals are somewhere on the traditional vs. modern scale, they all have a point that feels like a bridge too far in terms of progress and modernity. The default is still tradition. The institution has to have roots to live on.
  • Secrecy and Transparency. Although they are sequestered for the voting process, the Cardinals’ secrets eventually come to the surface, although not always in a timely manner or in ways that are expected. Lawrence doesn’t believe in revealing others’ secrets, instead persuading them from behind the scenes to quietly step down.
  • Morality and Hypocrisy. Is it OK to elect an immoral Pope? Is any human moral enough to be Pope or do they all have too many flaws? The main thing Jesus preached against was the hypocrisy of church leaders, failing to live up to the standards they required of others. The Conclave reveals that this is still a huge risk.
  • Globalization of the Church. While the Italians represent the tradition and foundation of the Church, the Cardinals from other areas of the world bring new values and perspectives to the discussion and represent future growth. There is also some implied question about whether a Cardinal from a “newer” area will have the gravitas to lead the entire Church.
  • Leadership and Responsibility. The selection of the new Pope will guide the near future of the entire Catholic Church, and the responsibility weighs heavily on Lawrence, even more than on the other Cardinals as they jockey for position. Who’s vision for the future in a changing world will prevail? Who has the best style and temperament and character to lead so many? Who will inspire devotion and spiritual growth in others?
  • Gender Roles. This is downplayed significantly as there are not many women, and certainly no Cardinals played by women. Isabella Rossellini (Sister Agnes) does play one of the head nuns running things behind the scenes who is aware of many of the secrets and hypocrisies of various Cardinals. She doesn’t have a vote, of course, or a direct way to tell others what she sees, suspects and knows. The perspective of women, even those closely associated in serving the Cardinals, is not really considered by most of the men. I mean, she’s Isabella Rossellini, for crying out loud, and she’s got like one speaking scene. If that isn’t a metaphor for conservative Christianity, I don’t know what is.

I won’t reveal all the twists and turns, and there are quite a few, but these characters and themes seemed pretty familiar, even though I’ve never been Catholic. Our own Q15 functions in a similar way to the College of Cardinals (although that is much larger and more global, as is the Catholic Church). Both systems give full authority to name Cardinals to the sitting President or Pope. The difference for us is that succession to the presidency is based strictly on not dying, which is an easier approach, but it doubtless yields different results than would occur if either the Q15 or the membership voted on the successor. For one thing, while both groups favor those with enough seniority to garner support from peers, within Catholicism, it’s not so tied to seniority that you always have one of the oldest people or longest-serving Cardinals as top authority. In the LDS system, it’s often the oldest, and always the one with the longest “insider” status on the Q15, a company many through and through. Disruption to the system is nearly impossible.

The biggest difference between the two succession systems is that the Catholic system is more active and thoughtful. The LDS system is entirely passive, no thinking allowed or required. All you have to do is not die and you might get the top chair, regardless of your personal qualities or your vision for the future. You don’t have to be an inspiring figure, you don’t have to have compelling ideas, you don’t have to even be a paragon of virtue. We’ll bring all those qualities and imbue them on you if you just have the vitality to stay alive. You will be revered just for outliving the others. That’s all you have to do. Like the monks in the movie The Last Emperor, sifting through the silver bowl containing the child emperor’s turds, reveling rhapsodically in a whiff of the divine, everything you’ve ever said before will suddenly be deemed wise, prescient, immortal.

The movie made me wonder whether the LDS system would be better if it were like the Catholic process. While I’m no fan of the seniority-based selection process which just results in older and older men leading the Church, it’s also quite possible that people would be chosen more for charisma than depth, or for strength of conviction rather than content of character. There are just as many downsides to be avoided in either system, and just as many politics in and blind spots in both. Both systems ultimately favor institutional stability and very limited progress; modernity is always viewed with a jaundiced eye, and loyalty to the institution is so prized that the best often retire rather than support hypocrisy and harm.

  • Have you seen the movie? If so, what did you think?
  • How would you improve the LDS succession process?
  • Do you think the process of choosing Cardinals / apostles involves sufficient vetting?
  • Is true progress possible in religious institutions or is it too destabilizing?

Discuss.