In spite of ongoing algorithmic tyranny, Instagram managed to get it right earlier this week, making sure I saw a new post from singer-songwriter Mindy Gledhill.

While the Mormon cultural scene of late, and larger American music scene, understandably focuses on David Archuleta, Mindy continues her own journey. To use her words, it has been a journey of deconstruction, but now becomes one of reconstruction. Like David, and many of us, she’s walked the painful road of faith crisis, and she’s done it while maintaining a commitment to artistic expression. So, it delighted me to learn Mindy has released a new single: “Pleased to Meet Me.”

I’ll throw some thoughts and questions to Wheat and Tares readers below, but first… I invite you to give the next 4:41 seconds to Mindy. Watch the official music video here:

Gledhill has been writing, recording, and filming professionally since at least 2007. She is perhaps best known in Mormonism for her song Whole Wide World, which The Church of Jesus Christ of Latter-day Saints licensed for its now defunct Meet the Mormons campaign.

A non-Mormon buddy of mine is on a playlist-making kick these days. Coincidentally, on the same day Mindy’s single dropped into my feed, he wrangled a group of us guys into assembling a spontaneous playlist. Since I was at that moment falling in love with “Pleased to Meet Me” I dropped it into the list. As I expressed to my friend, Mindy’s the real deal. Perhaps not as all-out famous as Imagine Dragons, but she is as serious and accomplished a recording artist as Mormonism has produced in my lifetime. I’m a fan, so this post dispenses with attempting an unbiased, objective review. Mindy’s music means too much to me.

Would I be Pleased to Meet Me?

This question, like the tender piano phrase nudging the songwriter on, tugs at my heart. I honestly don’t know if I would be pleased to meet me. I hope so.

The truth of the song, for me anyways, is this: there is a meaningful connection to be made and maintained between our older and younger selves. Arguably, they are separate and distinct beings. Yet, both need care and attention, respect and acknowledgment, even communion.

I’ve been through the above video a couple of times now. Visually, it has flavors of a beloved movie which celebrates similar sentiments: Cinema Paradiso. The lighting and camera choices are exquisite: somehow sharply defined and yet gentle. Director Ty Arnold achieves something visually marvelous, editing together an oscillating sequence of images as Mindy moves about silently or sings along to the soundtrack. According to the YouTube description, the music video was shot at two locations: The Caine Lyric Theater (Utah State University) and The Casino Star Theater (Gunnison, UT). Those of us who grew up attending movies delivered via filmstrip and analog sound may feel an extra layer of nostalgia.

Share Your Reactions

So W&T readers, what do you think? What was your reaction to the song and its music video? Why do you suppose you had your particular reaction? What other Gledhill songs and videos have you seen? And lastly, would you be pleased to meet you? Share if you feel comfortable.

If you’d like to read further, here is my review of Mindy’s previous album: Rabbit Hole. And if you just want to skip to something delightful, my favorite Gledhill tune remains I Do Adore. (It makes me think of the chihuahuas I used to dog sit. And then I start smiling and feeling happy.)