She, like the wistful uncertainty
of a chord in first inversion,
a joy incomplete, yet pure and hopeful.
Never leaving her neighbors diminished,
scoffing at dissonance,
like an innocent Picardy contrasting
a world full of minors,
never hidden or parallel,
or gaudy as in ninths or thirteenths,
but simply,
purely tonal and pleasant,
O that she were my consequent phrase…
Poet’s Notes:
With summer upon us, I felt inspired to subject readers to a love poem I wrote back in college. While majoring in music, I decided to combine my music theory studies with my dating efforts. Long story short, I switched to an English major and graduated a bachelor in every sense of the word. Happy summer, Wheat and Tares!!!
This post’s image features the circle of fifths (doubling as a clock) by Juan Garcia from Pixabay.

Jake, I “love” it. There are many who will understand the references and many who won’t. It could be seen as the flip-side of “tone painting.” Have you set it to music? Perhaps for a TTBB choir.
Hi, JR. Thanks for the feedback! Compelling idea arranging it for TTBB in particular. I did do a semester of choral arranging so it wouldn’t be the craziest thing to attempt. I don’t know. Tricky to hammer out a meter for this one. I’d have to get a melody for it stuck in my head first. I had that happen once with a poem my dad had written. Very enjoyable to adapt to song.
Consistent musical meter is not necessary. Some would approach this a phrase at a time and let a melody grow out of spoken inflection, with an occasional 2 notes to a syllable, and out of harmony. The images are mostly harmonic in any event. Glad you dug this one out of your college memory archives.
Love it!